Example Songs
Don¡¯t Dilly Dally
Daisy, Daisy
Any Old Iron
Vilikens and His Dinah
Polly Perkins of Paddington Green
The Rocky Road to Dublin
Champagne Charlie
The Boy in The Gallery
When Father Papered the Parlour
A Little of What You Fancy
Lily of Laguna
I Belong to Glasgow
Burlington Bertic from Bow
Oh! Oh! Antonio
On Mother Kelly¡¯s Doorstep
Down at the Old Bull and Bush
Example Songs
Vilja (The Merry Widow)
The Laughing Song (Die Fledermaus)
Little Buttercup (HMS Pinafore)
Poor Wand¡¯ ring One (The Pirates of Penzance)
The Sun Whose Rays are All Ablaze (The Mikado)
Ah! Sweet Mystery of Life (Naughty Marietta)
Golden Days (The Student Prince)
Indian Love Call (Rose Marie)
Love Will Find A Way (The Maid of the Mountains)
I¡¯ll See You Again (Bitter Sweet)
Waltz of My Heart (The Dancing Years)
Example Songs
Next Time You Fall in Love (Starlight Express)
You¡¯ll Never Walk Alone (Carousel)
Maybe (Annie)
Where is Love? (Oliver)
Castle on a Cloud (Les Miserables)
Maria (West Side Story)
One Hand, One Heart (duo) (West Side Story)
Hopelessly Devoted (Grease)
Memory (Cats)
Wishing You Were Somehow Here Again (Phantom of the Opera)
Music of the Night (Phantom of the Opera)
I Don¡¯t Know How to Love Him (Jesus Christ Superstar)
Come What May (Moulin Rouge)
Another Suitcase, Another Hall (Evita)
Somewhere That¡¯s Green (Little Shop of Horrors)
The Last Night of the World (Miss Saigon)
Summertime (Porgy & Bess)
Example Songs
Fields of Gold
Pinball Wizard (Tommy)
I¡¯m Free (Tommy)
Aquarius (Hair)
Let the Sunshine In (Hair)
Superstar (Jesus Christ Superstar)
Any Dream Will Do
(Joseph and his Amazing Technicolor Dreamcoat)
I Will Always Love You (The Bodyguard)
That That Look Off Your Face (Tell me on a Sunday)
One Night in Bangkok (Chess)
Mamma Mia (Mamma Mia)
Take a chance (Mamma Mia)
No Matter What (Whistle Down the Wind)
I¡¯ll Put You Together Again (Dear Anyone)
Greased Lightnin (Grease)
Summer Nights (Grease)
Example Songs
Summertime (Porgy & Bess)
Bess, You is My Woman Now (Porgy & Bess)
Beat Out That Rhythm on a Drum (Carmen Jones)
Bewitched, Bothered & Bewildered (Pal Joey)
Stormy Weather (Stormy Weather)
Blues in the Night (Blues in the Night)
All that Jazz (Chicago)
Bill (Showboat)
Can¡¯t Help Loving That Man of Mine (Showboat)
Sentimental Journey (Sentimental Journey)
Alexander¡¯s Ragtime Band (Alexander¡¯s Ragtime Band)
It Ain¡¯t Necessarily So (Porgy & Bess)
Fascinating Rhythm
Crazy (C.R.A.Z.Y)
Example Songs
I am the very model of a modern Major
General (Pirates of Penzance)
At the end of the day (Les Miserables)
Words, Words, Words (Witches of Eastwick)
Supercalifragilisticexpialidocious (Mary Poppins)
Everybody Says Don¡¯t (Anyone Can Whistle)
Another 100 People (Company)
The Miller¡¯s Son (A Little Night Music)
I don¡¯t remember Christmas
(Starting Here, Starting Now)
Mad Dogs and Englishmen
All For the Best (Godspell)
Example Songs
Maybe This Time (Cabaret)
As Long as He Needs Me (Oliver)
On My Own (les Miserables)
The Man That Got Away (A Star is Born)
Who Can I Turn To? (The Smell of the Freasepaint, the Roar of the Crowd)
What Kind of Fool Am I ?
(Stop the World I What to Get Off)
My Heat Will Go on (Titanic)
Brother, Can You Spare a Dime?
(Brother Can You Spare a Dime)
Stormy Weather (Stormy Weather)
I¡¯ve Got it Bad & That Aint Good¡­
Can¡¯t Help Loving That Man of Mine (Showboat)
Example Songs
I Can Do That (A Chorus Line)
What I Did for Love (A Chorus Line)
Nobody¡¯s Side (Chess)
I Know Him So Well (duo) (Chess)
Being Alive (Company)
Barcelona (duo) (Company)
I¡¯ll Put You Together Again (Dear Anyone)
Don¡¯t Cry for Me Argentina (Evita)
Another Suitcase, Another Hall (Evita)
Till I Loved You (Goyo)
I Don¡¯t Know How to Love Him (Jesus Christ Superstar)
Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat)
One Alone (The Desert Song)
Will You Remember (Sweetheart) (Maytime)
Softly, As In A Morning Sunrise (New Moon)
They Didn¡¯t Believe Me (The Girl from Utah)
Summertime (Porgy and Bess)
Example Songs
Bill (Showboat
Many a New Day (Oklahoma)
Tonight (West Side Story)
Everthing¡¯s Coming Up Roses (Gypsy)
If I Were a Rich Man (Fiddler on the Roof)
People (Funny Girl)
Hello Dolly (Hello Dolly)
Consider Yourself (Oliver)
Summer Nights (Grease)
Ease on Down the Road (The Wiz)
Tomorrow (Annie)
Mr. Cellophane (Chicago)
I Dreamed a Dream (Les Miserables)
Climb Every Mountain (The Sound of Music)
New York, New York (On the Town)
I Am What I Am (La Cage Aux Folles)
Trust in Me (The Jungle Book)
Example Songs
Next Time You Fall in Love (Starlight Express)
You¡¯ll Never Walk Alone (Carousel)
Maybe (Annie)
Where is Love? (Oliver)
Castle on a Cloud (Les Miserables)
Maria (West Side Story)
One Hand, One Heart (duo) (West Side Story)
Hopelessly Devoted (Grease)
Memory (Cats)
Wishing You Were Somehow Here Again
(Phantom of the Opera)
Music of the Night (Phantom of the Opera)
I Don¡¯t Know How to Love Him (Jesus Christ Superstar)
Come What May (Moulin Rouge)
Another Suitcase, Another Hall (Evita)
Somewhere That¡¯s Green (Little Shop of Horrors)
The Last Night of the World (Miss Saigon)
Summertime (Porgy & Bess)
Example Songs
Chimchimenee¡­ (Mary Poppins)
I¡¯m Just a Girl Who Can¡¯t Say No (Oklahoma)
Feed the Birds (Mary Poppins)
Bare Necessities (Jungle Book)
Wouldn¡¯t It Be Luvverly (My Fair Lady)
If I Only Had a Brain (etc) (Wizard of Oz)
Trust in Me (Jungle Book)
Mr Cellophane (Chicago)
We are Siamese (Lady & the Tramp)
I Just Can¡¯t Wait to be King (Lion King)
I¡¯m Henry the Eight I am
Any old Iron
I¡¯m Getting Married in the Morning (My Fair Lady)
Got to Pick a Pocket or Two (Oliver)
Reviewing the Situation (Oliver)
Example Songs
Far From the Home I Love (Fiddler on the Roof)
Where is Love?(Oliver)
Somewhere over the rainbow (Wizard of Oz)
Pilate¡¯s Dream (Jesus Christ Superstar)
Maybe This time (Cabaret)
If I Ruled the World (Pickwick)
Moon River (Breakfast at Tiffany¡¯s)
Ol¡¯ Man River (showboat)
Once in a Lifetime (Stop the World ¨C I Want to Get Off)
Tell me on a Sunday (Tell Me on a Sunday)
Love Changes Everything (Aspects of Love)
He is Pleased With Me, My Lord & Master (The King & I )
Oh What a Beautiful Morning (Oklahoma)
Example Songs
Waltzing Matilda
Cockles and Mussels
Scarborough Fair
When Johnny Comes Marching Home
Mine Eyes Have Seen the Glory
I¡¯m Know Where I¡¯m Going¡­
Mack the Knife (The Threepenny Opera)
Close Every Door (Joseph and the Amazing Technicolor Dreamcoat)
Potiphar¡¯s Song (Joseph and the Amazing Technicolor Dreamcoat)
Macavity (Cats)
Tevye¡¯ s Dream (Fiddler on the Roof)
The Story of Lucy and Jesse (Follies)
I Remember It Well [duo] (Gigi)
Nothing (Chorus Line)
Part of This World (The Little Mermaid)
Example Songs
I¡¯m a little tea pot
The wheels on the bus
If you¡¯re happy and you know it
Heads, shoulders, knees and toes
I¡¯m a dingle dangle scarecrow
Daisy, Daisy
Do ¨C re ¨C me (The Sound of Music)
So long, farewell (The Sound of Music)
The Lambeth walk (Me & My Girl)
The time warp (The Rocky Horror Picture Show)
Chitty, Chitty Bang Bang (Chitty Chitty Bang Bang)
It¡¯s a Hard Knock life (Annie)
There ¡®s a hole in my bucket (duo)
Example Songs
The Ash Grove (Welsh)
Scarborough Fair
Barbara Allen
All my Trials Lord (Spiritual)
My Bonnie Lies Over the Ocean (Scottish)
All Through the Night (Welsh)
Danny Boy (Irish)
Cockles & Mussels (Irish)
Steal Away (Spirituals)
Joshua Fought the Battle of Jericho
The Skye Boat Song (Scottish)
Greensleaves
Specification Purpose Broad
Objectives
Examination
Content
Styles
/Categories
Repertiore
Guidelines
General Notes Health
and Safety
Examination Planning Download
Forms
¡û Go Back LAMDA home
   

A5 - GRADED EXAMINATIONS IN DRAMA: MUSICAL THEATRE FOR THE ACTOR/SINGER (SOLO/DUO)

     
    Structure & Specification      
    Lamda Examinations are open to all learners regardless of age. Whilst learners of all ages may enter,
it is unlikely that learners below the age of 14 years will possess that maturity for success at Grades 6, 7 and 8.
 
 
 
   
Level/
Assessment criteria
Examination Content for each Grade Time Allowance
(minute)
Examination Fees(HK$)
1st Aug.10 ¨C 31st July.11
Solo Duo Solo Duo
Entry Level Entry 10 / $ 505 $ 970
Level 1 1 15 20 $ 540 $ 1,020
2 15 20 $ 595 $ 1,130
3 15 20 $ 635 $ 1,235
Level 2 4 20 25 $ 680 $ 1,290
5 20 25 $ 710 $ 1,350
Level 3 6 - Bronze 20 25 $ 800 $ 1,470
7 - Silver 25 30 $ 905 $ 1,695
8 - Gold 25 30 $ 1,020 $ 1,925

   
   
Purpose of The Qualification
LAMDA examinations in Musical Theatre for the Actor/Singer are designed to develop the skills necessary to communicate the dramatic content of musical text over a range of musical styles/categories. The emphasis is on performance and presentation rather than on the study of musical theatre as a whole. These examinations also provide learners with the opportunity to develop skills which support the delivery of dramatic text and devised performance. For this reason, these examinations complement Graded Examinations in Drama: Acting and Graded Examinations in Drama: Devised Performance.

Broad Objectives of the Examinations

- Interpretative skills
To explore style, form, character, subtext and context in order to realise the specific demands of the scene and/or song.
To create a credible sense of reality by focusing on the immediacy of the situation.


- Technical skills
Voice, diction, movement, setting and staging.
Musicality: pitch, rhythm and phrasing.


- Knowledge of the performance process
To understand character, situation, staging, context, subtext and musical style.
     
    Examination Content      
   
The learner will have a short discussion with the examiner. Questions will be based on the listed ones.
The learner(s) must be prepared to discuss with the examiner any aspect of ¡®knowledge¡¯ specified for previous grades.
     
   
Musical Theatre for the Actor/ Singer (Solo/Duo) 1, 2 or 3. Interpretation and Technique
The learner(s) must perform song(s) from memory.
4. Knowledge
(A short discussion)
Entry Level A traditional, original or ¡®action¡¯ song. This may be accompanied or unaccompanied. The reason for their choice of song
The meaning of individual words or phrases within the song.
Level 1       
This may be accompanied or unaccompanied. The title and librettist/composer must be announced prior to the performance. Total songs
A song tells a story A song celebrates a special moment A song of their own choice
Grade 1 1 0 1 2
Grade 2 0 1 1 2
Grade 3 1 1 0 2
1 The learner(s) will be asked to share the story and describe the mood within the selected songs.
What is the story within your song?
What does the character look like?
What is the character feeling in this scene?
Is there any mood change?
2 The learner(s) must be able to describe the mood, content and contrast between selections.
Describe your special moment (First song).
Where is the character?
To whom is the character singing?
3 The learner(s) must be able to describe the mood, content and contrast between selections.
What is the story within your song?
Describe your special moment.
Identify the contrasts between your two songs.
Level 2
The song must be accompanied.
The title, librettist/composer, character and situation must be announced prior to the performance. Total songs
The learner(s) must present a short piece of published or devised text in character A song of their own choice from musical theatre or from a film.
which leads into the performance of a song in character. which leads into the performance of a ballad*.
Grade 4 1 0 1 2
Grade 5 1 1 0 2
*A ballad is a moment within a musical when a character reflects upon personal feelings: a soliloquy in song.
4 How did you choose or develop your spoken text?
Describe your characters.
How do you feel the text informed or set the scene for your first song ?
Why did the characters move the way they did?
How did you decide on your staging?
5 What is a ballad?
What does it mean to perform a song in character?
Identify the working stage areas. (upstage, downstage, stage left, stage right).
Level 3
The song must be accompanied. Prior to the performance, the learner must present a brief introduction of no more that 30 seconds, announcing the song, title, librettist, character and situation. Total pieces
List A List B
Operetta
Music Hall/Vaudeville
Book musical
Concept musical
Torch song/Ballad
Patter song/Comic song
Jazz/Blues
Pop/Rock
A song taken from any published work of musical theatre, film or screenplay.
Grade 6 A song selected from one of the musical theatre styles/categories on either List A or List B. Prior to the song the learner(s) must present, in character, a short piece of published or devised text which leads naturally into the context of the song. 2
Grade 7 & 8 A song selected from one of the musical theatre styles/categories on List A. A song selected from one of the musical theatre styles/categories on List B. The words of a song, spoken as a dramatic monologue: the words must not be taken from a song performed by the learner(s) for other elements of this examination 3
6 Identify the theatre style/category of your chosen song.
Explain the contrast between the two songs in character, situation and mood.
Describe the technical requirements of breathing, voice production and resonance to support your voice in song.
Understand how the requirements change in the performances of your spoken and sung text.
7 Explain the theatre style / category of your first 2 chosen songs on List A and List B.
Explain the text, subtext and context of your chosen pieces.
Explain how you created and developed the character of your dramatic monologue.
8 What is meant by Acting Through Song?
Describe the process you followed to develop your chosen scenes.
Describe the styles of your scenes with reference to any background research.
Explain what additional skills were needed to create and perform your dramatic monologue.
   
Glossary of Musical Theatre Styles/Categories
- Operetta
Sung material that concentrates on the lighter elements of opera, such as subject and style, and includes spoken dialogue. Musical theatre can be traced back to light comic operas originating in France, Germany, Vienna and England.

- Music Hall
Lighthearted sung material relating directly to the performances given by Victorian and Edwardian artistes.

- Vaudeville

A popular ¡®song and dance¡¯ routine associated with America the Edwardian and Victorian Variety period and Pantomime that also employs a satirical lyric.

- Book Musical
A musical that has a narrative journey and is usually based upon a book, screenplay or historical event.

- Concept Musical
A musical that is based around an idea and challenges the usual order of a narrative structure; often experimental in nature.

- Ballad
A moment within a musical when a character reflects upon personal feelings: a soliloquy in song.

- Torch Song
A sentimental love song where the singer is usually expressing disappointment in love. It originates from the phrase ¡®carrying a torch¡¯ for a lover who does not respond in a similar manner.

- Patter Song
A song that employs tonguetwisting lyrics sung at great speed.

- Comic Song
A song which has a humorous effect.

- Jazz
Music of black American origin, characterised by syncopation and improvisation, which emerged at the beginning of the twentieth century.

- Blues
Melancholic music of black American folk origin, typically in a twelvebar sequence.

- Pop
A combination of the traditional ¡®rhythm and blues¡¯ and ¡®country and western¡¯ styles, which originated in the 1950s.

- Rock
Music that is similar to ¡®pop¡¯ but usually has a heavier beat.

- Acting Through Song
Bringing the character to life through the sequences of thought and melodic phrasing created by the lyricist and composer.
     
    Repertoire Guidelines and Regulations      
   
Musical Theatre for
the Actor/ Singer (Solo/Duo)
Entry Level Level 1 Level 2 Level 3
Grade 6 Grade 7 Grade 8
Total time allowance (minutes) Solo 10 15 20 20 25
Duo - 20 25 25 30
Each selection (minutes) x 2-3 x 2-3 x 3-4 x 3-4
Total pieces Solo 1 song 2 song 2 song 2 songs + 1 dramatic monologue
Total pieces Duo - 2 duets
Choice of song(s) and/or scene(s) Learners may sing a traditional, original or ¡®action¡¯ song. The selected songs may be traditional, original or taken from a film. - The selected songs must differ in style or theme, setting, character and mood enabling the learner to display range and ability.
The selected songs must differ in theme, setting, type of character or mood enabling learners to display some contrast.
- Cuts are permitted but learners must ensure coherence i.e. the emotional and intellectual fluency of the song must be maintained.
The language & The content The content of the song must be simple and accessible, conveying meaning clearly and unambiguously. The content of the selected songs must offer some opportunity for interpretative choices. The content of the selected songs must offer opportunities for a variety of approaches and interpretative choices. The selected songs must enable learners to engage with complex emotions and universal themes.
The content of the selected songs must be technically appropriate for the level.
The song must be sung in English.
A copy of the libretto must be provided for the examiner and must adhere to copyright laws.
Movement Movement and Dance may be incorporated where appropriate and relevant to enhance the overall performance.
   


General Notes and Regulations
Both learners in a Duo examination must be entered at the same grade level.
Learners may not enter for both Solo and Duo examinations at the same grade level in the one examination session.
Learners may not enter for both Solo and Duo examinations at different grade levels in the one examination session.
Duo partners may not interchange with other learners. Substitution will only be allowed under exceptional circumstances.
Songs/scenes may be presented in the order of the learner¡¯s choice.
Movement and dance may be incorporated where appropriate and relevant to enhance the overall performance.
Costumes and hand props are permitted, if appropriate, but must be kept to a minimum;however, they will not be assessed specifically and the learner will not be awarded any extra marks for their inclusion.
Any time taken for changes and the setting or striking of props must be included in the time of the scene.
The examiner reserves the right to halt songs/scenes that exceed the stipulated time allowance.
Hairstyles must not obscure the face and shoes must not hinder movement. Suitable shoes must be worn for all scenes unless the character portrayed is barefoot. Nudity is not permitted.
Learners must bring legible copies of the libretti for the examiner.
Copies of the songs must adhere to copyright laws.
Learners must write the title and character (if applicable) at the top of the Examination Report prior to entering the examination room.
Learners must not present the same song/scene for more than one examination.
Songs and/or libretti which are directly addressed to an audience must not be focused solely on the examiner;however the examiner should be included in the wider imagined audience.
Although the use of accent/dialect is not compulsory, the style and intent of the librettist/ composer should be taken into consideration in the interpretation of a role.
Duo learners will be assessed through open discussion with both learners in the Knowledge section of each examination.
The key of a song may be transposed to accommodate the vocal range of the learner.
It is the responsibility of the learner to provide an accompanist necessary to support their performance. The accompanist will only remain in the room for the portion of the examination for which s/he is required. A piano, electronic keyboard, guitar or other appropriate instrument may be used to accompany the pieces, but it is the responsibility of the learner to provide the instrument or make prior arrangements with the centre organiser. If necessary, a pageturner will also bepermitted in the examination room. However, they will only remain in the room for the portion of the exam for which s/he is required.
Where a learner wishes to use a recorded accompaniment, playback equipment of good sound quality must be provided and operated by a technician. If a technician is used, they will only remain in the room for the portion of the examination for which s/he is required.
Electronic sound enhancement is not permitted, including the use of microphones.

     
    Health and Safety      
   
Learners must take responsibility for their own health and safety when working towards an examination in Musical Theatre for the Actor/Singer and should:
Organise a personal physical and vocal warm up and cool down.
Wear appropriate clothing and footwear that allow for ease of movement.
Develop a physicality that does not overly tense the body or restrict the larynx, even in character transformations.
Support breath and release tone without force.
Sing in a comfortable register.
Avoid ¡®belting¡¯ unless they have received vocal training on the technique.
Avoid singing if there is any discomfort in the throat.
Seek specialist medical attention if discomfort persists when singing and/or a husky tone develops.